Transfer is an experimental photographic study using tableware and direct sunlight. This study was undertaken as an exploration of signal transference, mediation, and pattern recognition. The components used recall the elements of a traditional still-life construction, but the results bear no resemblance. The images produced and presented have not been manipulated for effect, but are simply a record of the informational transactions between the sun, the object, and the camera — or in terms of communication, the transmitter, the filter, and the receiver.
These images, as with all still-life images, exist in the continuum between formalism and semiotics. The history and tradition of still-life is nearly as long as that of human image making, but are these images a study of pure light and form or are they a study of symbolic objects and their situational rhetorical vocabularies? At what point in our communications stream do we grant the attribute of meaning to what is otherwise simply data?
Transfer is on exhibit at the IMRC Center of University of Maine from November 27 to December 1. More info….